I came across a clip of Thelma Schoonmaker quoting Scorsese about the loss of “the shot” to what she calls “blender cutting,” and dive into what separates these two approaches—and what makes the shot worth holding onto.
I came across a clip of Thelma Schoonmaker quoting Scorsese about the loss of “the shot” to what she calls “blender cutting,” and dive into what separates these two approaches—and what makes the shot worth holding onto.